Liz Axelrod

Poems, Essays, Reviews, Stories…

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Some Essays, Reviews & Interviews via the Way Back Machine (some from Way Back…)

And more here:

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Here’s some links to my published work

IMG_1523Year of Yellow Butterflies Poem

Some of my LunaLuna Pieces are here

Moonchild Magazine

“Go Ask Alice” – Top 30 of 2016!!

Yes Poetry!

Ampersand Review!

Wicked Alice!

Ginosko #14! Poems on Page 20:

Femme Follies Interview

The Demon Piece on The Rumpus (scroll down):

My Brooklyn Rail Review of “To Assume A Pleasing Shape:”

Article on AWP:

Some thoughts and poetry:

Lynne Tillman Interview:

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Les Femme Folles Interview

Les Femmes Folles

Women in art

Liz Axelrod, poet


Liz Axelrod received her Masters of Fine Arts in Creative Writing from the New School in  2013. She has been making the rounds of the NYC Poetry Circuit for close to a decade and has been a featured reader at The Cornelia Street Graduate Reading Series, The Southern Writer’s Series, The Renegade Reading Series, Couplet, The Living Room’s Stories & Songs Residency, The NYC Poetry Festival, and more. Liz is Web Editor for LIT Magazine, a book reviewer for Publisher’s Weekly, and a staff writer for LunaLuna Magazine. Her work has been published in  Lyre Lyre, 12th StreetThe RumpusThe Brooklyn RailElectric Literature, Yes Poetry, Nap Magazine ,the Ginosko Literary Journal, and Have A NYC 3 . She is currently working on her first collection of poems. She is also one of the featured readers at Luna Luna Magazine and hosting her own reading at the New York City Poetry Festival (July 26-27; schedule here/details below). She generously shares with LFF about losing herself in books at an early age, her various inspirations and active writing process, feminism in her work, advice for aspiring writers and much more. She also shares an excerpt from one of her recent pieces, “Daddy Dearest”…

Where are you from? How did you get into writing?

I’m a NYC girl by way of Tucson, AZ. Parents were divorced when I was 8. Dad stayed in NYC, mom moved out west. I’ve always been a reader. From a very early age I would lose myself in books. I started with horror and suspense novels – devoured Stephen King, Anne Rice, Clive Barker, Anne Bishop and more.

Writing my own (preferred) endings to their stories came first, then writing my own stories, then poetry, then editorial and reviews. I tell my students that learning to write is the best way to get ahead in life. An excellent personal essay moves the college app to the top of the pile, an excellent cover letter moves the resume to the top of the pile. The poems are the icing on the cake, they move the personal, the political and the pragmatic denials into thought and power.

Tell me about your inspirations, process.


I’m inspired by so many variables – an online article, a robin following me along the path to my office, the sun angled through an abandoned building, a conversation overheard on the train, politics, dreams. I once wrote a short story that was a complete dream. It’s in a drawer waiting for me to let it see the light of day again. That’s part of my process – write it, put it down, look at it again, eliminate, re-write. I’m continually in “edit mode.” I love to cross out lines, move them around, cut out words and try to reassemble. The poem is a puzzle and I’m always looking for that perfect piece (and the crazy glue to keep it all together).

Tell me about your current/upcoming show/exhibit/project (Luna Luna reading) and why its important to you. – hints on what you may be reading from? what you hope people get from it? 

I love the LUNA’s! Been writing with them for about eight months. I’m so honored to be reading at the NYC Poetry Festival with them on Saturday, July 26. I’m also hosting a reading at the festival on Sunday the 27th. It will be my third year of hosting the JUJO reading series. I also volunteer for the festival every year, working the entrance and supervising the volunteers at the tables.

Artist Wanda Ewing, who curated and titled the original LFF exhibit, said of her work: “I’ve been making provocative art with a political edge in my Midwestern hometown since 1999. And to do that, you have to be tenacious as hell.” Are you tenacious in  your work or life? How so?

I once had a professor tell me not to be “so political” in my poems. I wanted to throw something at him. I feel there is a need for politics and poetry and the female experience of both is so very important today. I will never step back from a scary topic – that said, I do pay much more attention to the political in my work and try to weave it in with relevance and determination, hoping not to lose the impact in the imagery. I do a much better job of this reading aloud. That’s where I shine.

Ewing, who examined perspective of femininity and race in her work, spoke positively of feminism, saying “yes, it is still relevant” to have exhibits and forums for women in art; does feminism play a role in your work?

Absolutely! I’m a woman, a mother and I have a relatively high powered job where I supervise a small staff and my assistant is a young man. I see first hand how my power is devalued even still in this day by my higher ups and my Executive Director has even given me “the hand” when I’ve been making a point in a meeting. It’s horrible! He would never do that to my assistant. The double standard is alive and relevant today and we have to work against it. I just did a post for on Feminism and how I grew up without thinking about it because of the trailblazers who made my world safer by risking theirs. But now with all this horrible misogyny rearing its ugly head, I want to be able to keep that fire lit for my daughter so that she can grow up in a safer, more equitable place for women.

Ewing’s advice to aspiring artists was “you’ve got to develop the skill of when to listen and when not to;” and “Leave. Gain perspective.” What advice do you have for aspiring artists?

Perspective is a difficult thing to gain today when young artists are so vulnerable to so many media ploys aimed at demolishing their self respect and strength. The instant contact and the distant contact is really dangerous. Instead of taking time to think over a problem, we jump right into the fire. My advice is to disconnect, read more books, look at pictures, walk through museums, the more you learn the less you doubt yourself. The less you doubt yourself, the stronger your art becomes.

Daddy Dearest
Liz Axelrod

I try to explain to my father
who is still stuck on age and violence

that there will be no more babies
but I’m quite certain

his Jello molds and candy
wrappers will remain sweetly tart

and satisfying, while rare beef
tempts me during all the separate

phases of the waxing moon.
You don’t call anymore…

No. I’ve found a savior at
My Karma’s Okay Dot Com.

I troll with myself and sort through
this selfishness, and why I have no desire

to pour sticky gel into that
particular fish-shaped copper mold.

The truth is, Daddy’s lost his power
and the magnetic pull only affects

the soles of my feet when I’m
barefoot on the beach, in salt,

or searching online for polished stones
to fill the blue mason jars on my windowsill.

Luna Luna Magazine’s Reading at NYC Poetry Festival:
Saturday, July 26, 1:20pm, Governor’s Island, NY

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I’m in this wonderful book!

Have a NYC 3: New York Short Stories

Edited by Peter Carlaftes & Kat Georges

Have A NYC 3: The Legend Continues

New York short stories like you’ve never seen before, featuring work by famed crime writer Lawrence Block, Serbian writer and translator Nina Zivancevic and writer/editor Liz Axelrod

Riveting tales of the underbelly of modern-day New York City hook-up with hilarious and poignant stories of love and loss in Have A NYC 3 an annual collection of engaging short stories. This edition, edited by Peter Carlaftes and Kat Georges, includes eighteen urban tales that merge familiar landscapes with a plethora of unusual characters, ready for a thrill–or a kill!–as they pass through the streets and homes of New York City’s ever-vibrant boroughs. Authors in this edtion include acclaimed crime writer Lawrence Block (Eight Million Ways to Die, A Walk Among the Tombstones, Hit Me), along with Liz Axelrod, Gil Fagiani, Bonny Finberg, Michael Gatlin, Kirpal Gordon, Ron Kolm, Peter Marra, J. Anthony Roman, Angela Sloan, Paul Sohar, Chera Thompson, Richard Vetere, Nina Zivancevic and Joanie Hieger Zosike, along with new stories by editors Peter Carlaftes and Kat Georges. The stories explore dark corners or bright passages, and each serves to redefine an aspect of The City, in thrilling and provocative ways.

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